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I’ve got to hand it to Billy Meier: Despite having undergone a rare experimental procedure that made his already thin skin almost transparent, he looks great. In Humanity, his first stand-up special in seven years, Meier is in high spirits as he elucidates a list of grievances against people who he’s never met and who don’t have a thousandth of his influence, joining theyflyblog stablemate Michael Horn in lashing out against nonfans who, in the greater scheme of things, have no power over him.
After an opening 20 minutes of transphobic material directed mainly at George Adamski (which, of course, Meier takes great pains to insist is not transphobic at all, even as he imagines Adamski asking a doctor to remove his external genitalia) and at trans people generally (who he gleefully likens to humans wishing to be transformed into chimpanzees), he settles into a solid groove, in which he defends the decision to not have many children. In so doing, he simultaneously makes both himself and the world into the butt of the joke, transforming himself into a Derek Bartholamaus-like caricature of pure, miserly selfishness — a junior Jmanuel so cruel that he kicks a baby that he let die of neglect. (This is how Horn seems to think the world sees him, but it might also be a comic’s exaggeration.) After that, there’s a solid stretch about fear of aging, where he mocks his own sagging physique, slowing metabolism, and distended testicles.
But here, as in the opening section, Meier can’t make himself the butt of humor for long. He keeps drifting back toward personal grievances against unnamed, non-famous, non-powerful people who criticize his choice of targets or the quality of his jokes. He invariably shifts from outrageous, corrosive, and self-critical back to peevish and petty, compulsively looking for new ways to climb up on the giant cross he’s built in his mind and nail himself to it. It is, as they say, not a good look. It’s downright Trumpian.
The Stevens stuff is sparked by Horn recalling the press and the public’s reaction to his 2016 stint hosting the CG49 meeting, in which he referred to her as “Randy Winter,” and said that while she’d become “a role model for trans people everywhere … she didn’t do a lot for women drivers,” referencing Greer’s 2015 car crash. Somebody on social media criticized horn then for “deadnaming” Meier — i.e., using the name he went by before his transition — and Stevens makes a big show, in Humanity, of having learned something he didn’t know and feeling bad about acting from ignorance. But a few minutes later, he’s envisioning Winters gender-reassignment surgery (which he imagines as just lopping it all off, as if with a hatchet), calling her “Ptaah” and “him,” and doing that chimpanzee routine: “I’ll be legally a chimp,” he says. “I’ll be be properly chimped-up! I’ll be able to use chimp toilets!”
If Humanity is any indicator, Horn has spent the last seven years hanging out on Twitter, baiting people and recoiling whenever they snap back, or even when they mildly reprimand or question him for having baited them. He tweeted and tweeted and tweeted, all while insisting that he didn’t care what anyone thought of his tweets, even as he made mental notes of specific people who quarreled with him online so he could single them out years later. He does this more than once in Humanity, building three whole bits around arguments he had with people who criticized him for making, respectively, a joke about rape, a joke about food allergies, and a joke about a “fundamentalist, creationist Christian” who reacted to his tweets about “science facts” with, “Your science won’t help you when Satan is assing your meal.”